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f/3.5-5.6 AF-S DX wide-angle to telephoto zoom lens * Vibration Reduction II allows in-focus shots with longer exposure times (up to four stops slower shutter speed) * 35mm equivalent focal length of 27-300mm * contains two ED (extra-low dispersion) and three aspherical lens elements for high resolution and contrast * Silent Wave Motor for fast, quiet focusing *
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Technical Details
- One-lens solution adept in a wide variety of situations- Nikon VR II (Vibration Reduction) image stabilization
- Two Extra-low Dispersion (ED) elements; three aspherical lens elements
- Nikon Super Integrated Coating (SIC); exclusive Nikon Silent Wave Motor (SWM)
- Focus to 20 inches for extended versatility
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By Anthony Loh (NY, USA)
I also own the previous version together with this one. Why two? I have a D90 and a D300S and often go out and take photos together with my wife. We both love the flexibility and versatility of this lense.
This VRII version has the same optical quality as the previous version with the exception of a creep-lock, and it cost a couple hundreds dollar more. Not worth the extra money.
This is a good lens (fast focus, nice build, quiet), but not optically superior (ok in sharpness but not great), and still expensive. However, this is the one I almost always take with me wherever I go, although I will pair it with other lenses (e.g., a Nikkor 35mm f1.8g, Tokina 11-16mm f2.8, Nikkor 60mm f2.8g micro, Tamron 17-50mm f2.8 VC, etc.) depending on what I shoot that day.
If you have the $$$ and need a versatile and flexible super zoom lense, go for this one. Otherwise, a used previous version of this lens is equally good.
By Teunis D. Baas
I have had the earlier version on my D200 but due to a problem with the focus motor sent it in for repair. At the same time decided to change the D200 for a D300s. Since I could not wait for 6 weeks for the orignal 18-200mm to come back I decided to buy another Nikon 18-200mm lens. I believe this lens to be the most versitile for Nikon DSLR - if I could only have one lens this would be it.
By lemonhedo (philadelphia, PA)
This is probably the so called "lens to rule them all" lens from nikon, well not that great, but it could very well substitute for many lens one may potentially have. For starters, this phat barrel can go from 18mm all the way to 200mm (duh*). Though it isn't that much of a fast lens, the aperture is sufficient for almost all daylight activity in the focal range. For people who just got into the dslr system, this is the lens to get.
In my pouch, I have this lens and the 35mm f1.8 prime lens for my portrait shots and night shots. I had not need to switch out the 18-200mm when I go out to take pictures, and that shows how awesome this lens is. Definitely recommended!
By J. Montgomery (Colorado, USA)
I've used this lens and its predecessor extensively and I've been happy with both. They are clear, accurate, and focused. You can find a zillion reviews talking about how awesome this lens. I'm going to highlight the lens' shortcomings. This is not a be all, end all lens. Don't get me wrong, this is my walkaround lens and it stays on my camera 75% of the time. But it's important to know what this lens won't do.
1. Low light. This is a problem that plagues any reasonably priced long-range zoom. If you're going to be doing much shooting indoors, at night, or twilight with this lens, invest in a good quality flash.
2. Bokeh. The majority of the out-of-focus fields look great. However, if you're shooting wide open (low f stop) and there's a lot going on in the background (long grass, trees, etc) some of the finer details can be blurred or occasionally have a weird halo look to them. It's not that big of an issue, but it does happen from time to time.
3. Distortion. Very manageable and hardly noticeable for the most part, but when you shoot things that are obviously supposed to be very straight (buildings, roads, etc)at less than about 50mm there is some pincushioning. This is easily correctable in photoshop.
4. Light falloff. In low-light and long-exposure pictures, you can clearly see some falloff in the corners. Again, hardly a big deal for most photography.
5. Weight. If you're not used to big lenses, this will take some getting used to, especially if you're upgrading from a kit lens.
6. Filters. The 72mm size is getting more popular, but there still aren't nearly as many filters available as some other sizes. There are resizing rings to compensate if you already have some larger rings, or are eyeballing something in particular.
Ok, this was not meant to turn you off of this lens, only to give you a grounded sense of what this lens has to offer. It is a great walkaround lens for everyday use. It is also a great lens for people looking to get their foot in the door with high quality lenses without having spend too much. This won't replace prime lenses, fast lenses, and superzooms. This is a perfect lens to buy if can only afford, or only want one lens. I would still hate to be without this lens. Highly recommended.
By David Elliott
The Nikon 18-200mm f/3.5-5.6 G AF-S ED VR II (they must come up with a better naming system) gets five big stars for convenience. When I hike or travel light, this is the only lens I take. The small size and great zoom range are fantastic.
But lets be clear, the lens has many flaws. It is slow (f 5.6 is SLOW). VR is great for decreasing camera shake, but does nothing to stop the action. The lens has significant chromatic and geometric distortion. The geometric distortion is enough that you will not want to take architectural pictures with this lens (LensFix by Kekus can fix this). At the long end the contrast the color rendering decrease dramatically. The bokeh (the quality of the out of focus rendering) is rather busy and not too nice. When the lens if fully extended it is quite flimsy. The lens hood is not well attached (I am on #3).
All of that said, I am very happy with this lens. I am very glad I have it.
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Buy Nikon 18-200mm f/3.5-5.6G AF-S ED VR II Telephoto Zoom Lens for Nikon DX-Format Digital SLR Cameras Now
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